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Anna's Video Blog

May 19th, 2017

Heart and Brain: What do we expect from music?

Today I am going to speak about our expectations from the classical music. In my previous blog about the price of the concerts I said that when we go to a concert, we expect emotional responses from the music performance. [...] read more.

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Video

Germany

“Expectations” by Igor Rabassa

Anna Sutyagina, Piano

New – Inspiring – Beautiful Fantasy Notes Composer of the week: Igor Rabassa from Brazil “Expectation” Igor Rabassa “Before the first theme and during …

UK

“Shadow” by Louise Beesley

Anna Sutyagina, Piano

“Fantasy notes” British composer Louise Beesley Read more about Louise at http://movingclassics.tv/fantasy-notes-interview-with-british-composer-louise-beesley/

Fox

Belgium

Fox

Erwin Deleux, Piano

Dreamy piano music

Netherlands

CALEDONIA : #harPoem #landscapemusic

anne vanschothorst & thijs de melker, harp & organ

Anne Vanschothorst – landscape music composer – http://www.harpandsoul.com track 4. Terra Incognita – harp/organ – Beautiful World CD Thijs de Melker – organ / …

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Blogs

SwitzerlandadminJune 2nd, 2017

“Fantasy Notes” Interview with Swiss composer Florian Bur

Florian Bur tells his story and explains why it is even more important to get seduced by beautiful music in our hectic times.

florian bur
ItalyadminJune 2nd, 2017

“Fantasy Notes” Interview with Italian composer Chak the Alchemist

Chak talks about how to enhance the message of the music and add very personal feeling.

chak
FranceadminJune 2nd, 2017

“Fantasy Notes” Interview with French composer Efisio Cross

Efisio talks about why composers should find the right balance and why music must always stay noble

efisio foto
ItalyadminJune 2nd, 2017

“Fantasy Notes” Interview with Italian composer Marco Molteni

What does music mean to you personally? Music has always played for me a double meaning: on the one hand, since I am a …

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ItalyadminJune 1st, 2017

“Fantasy Notes” Interview with Italian composer Fabrizio Paterlini

Fabrizio explains why there will be always a compromise between composing and “music business”. He tells why it is exciting to experiment and let the pure creativity thrive.

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