Anna Sutyagina plays a prelude nr. 2 by Columbian composer John Tellez - discover more about him http://movingclassics.tv/classicpeople/johntellez/ John about his prelude: “This prelude is in ternary form (A-B-A1) and possesses a big influence of m

Anna Sutyagina plays a new composition by Tiziano Bedetti “Preludio Romantico”. “Preludio Romantico” is an inner diary, where memories, lived moments, feelings, places and people appear. The piece written in the December 2018, is dedica

Did you feel the mystery of your secret place as a child where the world was safe and you had spent hours dreaming about the future? As the time goes by, we still need our „secret place“ to retain this feeling of harmony with the world where we feel good a

Beautiful contemporary piano composition „Lavender Field“ by a Japanese versatile composer Karen Tanaka. Imagine weaving colour and scent with sounds. The music has subtle harmonies and it appears out of silence and disappears into space at the end.

Modern romantic composition „Zephyr“ by a British contemporary jazz pianist and composer Neil Cowley. „Zephyr“ is inspired by the Greek god of the west wind: the gentlest of the winds, the fructifying wind, the messenger of spring and flowers.

Anna Sutyagina plays the composition by Jesse Brown “Unfair Grounds”. Jesse Brown is a teacher, pianist and composer from Canada. Read his insightful interview with Moving Classics TV here: http://movingclassics.tv/classicpeople/jessebrown/ This co

The original composition “Words of Amber” was written by Olafur Arnalds in Ravenna, in Italy. He got inspired by an unusually good grand piano so that he spent the whole day writing on it. It has beautiful wistful harmonies and sensual clarity.

Anna Sutyagina plays the composition by Ukranian composer Taras Yachshenko Great Dreamer - In Memory Of Ludwig II, King Of Bavaria-No.1/ Münchener Buch “Munich Book” The cycle “Munich book for piano”, dedicated to friends of the

Valzer Onirico (dreamy, unreal) can be understood as a soundtrack to a dream and to images and suggestions that the dream has left the composer (like a surreal dance suspended in the timeless dimension of the dream …). Paolo about his music: “Many