Learning from History – is culture an option? Lessons from the Barock time. Essay after reading the article in DAMALS 9-2016 by Prof. Dr. Peter Hersche
"My Creativity Break": 3 minutes of slow watching and relaxed listening, human attention and interplay of images and music, possibility to attract more people to classical music through visual keys.
Blog about classical music and fashion, Mozart love of luxury, what the stars of classical music wear on stage, embodied cognition and most importantly: Will Beethoven sound differently depending on the attire of the musician?
Classical music and locations: how to make an event out of a traditional classical music concert
“IF A GREAT MUSICIAN PLAYS GREAT MUSIC BUT NO ONE LISTENS... WAS HE REALLY ANY GOOD?”
Can music scare? Why some dissonant sound combinations frighten? Have you experienced the music compositions that would make us scared? How did you feel? Thank you for sharing your views! Looking forward to hearing your opinion and feedback!
Some personal thoughts about music and intuition based on listening to the recordings of Maestro Horowitz
Essay about the audience, the soul of the audience, the concert expectations and oscillation between the imagination and the factual experience
Will the nature of the audience change the way musicians play? For whom does one play?
What is your opinion on the elitism in classical music? Do you think we should foster elite thinking for musicians? What is your attitude towards classical musician? How can we value the creative work of every musician? What would be a creative push for our cl
This essay is my thoughts about the process of listening, what is perceptive listening, how do we listen to music, what influences our listening and the art of relaxed listening.
Do women suffer discrimination in music? Could you hear the female touch by listening to pianists with closed eyes?
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