October 7, 2020
Colourful imagination in our new piano composition triggers the fantasy of the listeners. The music of the Italian composer Antonio Cericola is all born from emotions lived, desired, dreamed. The piece “Amor” takes the listener into the world of folklore a
October 1, 2020
Anna Sutyagina plays a piano version of the original composition by Kepa Lehtinen “It is ok to be sad and dark”. Are feelings the next big thing? The creative mindset is thirsty for emotions. Will the strive for efficiency get replaced by more emot
September 24, 2020
Anna Sutyagina plays the original composition “A l’ombre du baobab” (In the shadows of baobab) by French composer Jean-Christophe Rosaz The sound of church bells is music! Have you ever been mindful and curious of these sounds in your daily l
September 18, 2020
Anna Sutyagina plays the original composition by Saul Consentino “Milonga Tristonga”. Pure imagination ….. and just dancing your thought. That is the intention of a Milonga tristonga, the slower and more meditative sister of the Argentinian tango
September 11, 2020
Anna Sutyagina plays the original composition by Melani Peoska. Composed in just 10 minutes – the „Moonlight“ by Melani Peoska. Outstanding creativity by the Croatian composer who got an idea while improvising – inspiration at its very best. https:
September 3, 2020
Anna Sutyagina plays Prelude “Welcome Rich” by Romanian composer Liana Alexandra (1947 – 2011) dedicated to Richard McClellan (year of composition 2003) A prolific composer in the neoromantic style, Alexandra had over 100 of her works perform
August 21, 2020
Anna Sutyagina plays prelude Nr. 5 from 24 Preludes in Jazz Style by Nikolai Kapustin (1937 – 2020) op. 53 – fusion of classical and jazz forms. The prelude Nr. 5 has a calm and serene mood. Homage to one of the greatest contemporary compose
August 14, 2020
Catching for a new inspiration through a breeze of thoughtful piano music by MEL & HARMON. A novel sountrack – Two Lives to a Destiny Nr. 1 “Solitude” gives the strong authentic emotions back to its listeners with which it had been created. “Be the
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