Classical music and locations: how to make an event out of a traditional classical music concert
“IF A GREAT MUSICIAN PLAYS GREAT MUSIC BUT NO ONE LISTENS... WAS HE REALLY ANY GOOD?”
Can music scare? Why some dissonant sound combinations frighten? Have you experienced the music compositions that would make us scared? How did you feel? Thank you for sharing your views! Looking forward to hearing your opinion and feedback!
Some personal thoughts about music and intuition based on listening to the recordings of Maestro Horowitz
Essay about the audience, the soul of the audience, the concert expectations and oscillation between the imagination and the factual experience
Will the nature of the audience change the way musicians play? For whom does one play?
Tiziano talks about why making music is a social activity that allows to be in touch with people and grow as a human.
What is your opinion on the elitism in classical music? Do you think we should foster elite thinking for musicians? What is your attitude towards classical musician? How can we value the creative work of every musician? What would be a creative push for our cl
This essay is my thoughts about the process of listening, what is perceptive listening, how do we listen to music, what influences our listening and the art of relaxed listening.
Do women suffer discrimination in music? Could you hear the female touch by listening to pianists with closed eyes?
What recent scientific studies tell us about the effects of listening to music
How native language can influence musical compositions and if we need the knowledge about the language, e.g. German, in order to understand Mozart or Haydn?
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